Artwork
The Gray Album
Voids

Paradise
10-Step Art Career
Perfect Disaster

Words
Three Way Tie for Last
Everything Must Go

Contact High

Exhibitions
Daniel Cooney Fine Art
St Anthony's Basement
Lobo Del Mar
Vox Populi
Feature Inc

Bronx Museum
Envoy
Kathleen Cullen
Group exhibitions

Bio
CV
Shows
Links
Contact


EDUCATION

MFA Brooklyn College, 2006
MSW Columbia University, 2024

REPRESENTATION

Daniel Cooney Fine Arts, New York, New York

SOLO EXHIBITIONS

2024 The Love Parade, Daniel Cooney Fine Arts, New York
2020 Lobo Del Mar, Philadelphia
2019 St. Anthony’s Basement, Brooklyn
2012 The Perfect Disaster, Vox Populi, Philadelphia 
2011 I See You In My Head, Feature Inc., New York
2009 Excerpt, Envoy Enterprises, New York
2006 3-Way Tie For Last, Kathleen Cullen Fine Arts, NY 

GROUP EXHIBITIONS 

2024

‘I’ll Be Your Mirror’, Mighty Real/ Queer Detroit, Detroit
●  Anton Art Center, Mount Clemens
●  Hatch Art, Hamtramck
●  The Carr Center

2020

Feed Me, Lobo Del Mar, Philadelphia 

2019

Adam’s Nest, Provincetown, MA 
Velvet Ropes NYC, Sargent’s Daughters, New York

2018

Carl Ferrero and Molly Crabapple, The Owl’s Head, Brooklyn 
Velvet Ropes CPH, David Risley Gallery, Copenhagen 
GIFC, 0-0 LA, Los Angeles 
Velvet Ropes, NADA New York

2016
Like Smoke, Equity Gallery, New York 

2014

Let’s Go Let Go, 33 Orchard Gallery, New York 
Vantage Point, Concepto Hudson, Hudson, NY 
Reimagining Rosa Parks, Prince George’s College, MD 
Expanding Mode, Concepto Hudson, Hudson, NY 

2013

Dot.–Dash, Gowanus Studio Space, Brooklyn 
Untitled, Gallery Gris, Hudson, NY 
Bushwick Film Festival, Brooklyn 

2012

Up Against It, Munch Gallery, New York 
NY Art Book Fair, MoMA PS1, Queens, NY 

2011

The Bronx Biennial, Bronx Museum of the Arts 
No Longer the Property Of, Lost Coast Culture Machine, Fort Bragg, CA 
View of Outer Space from an Aquarium, Famous Accountants, Brooklyn 

2010

Summer Camp, Exile, Berlin 
Tom of Finland and then some, Feature Inc., New York 
Tide Pool, Sara Meltzer Projects, New York
Smoke & Mirrors, University of Oklahoma
Artists in Residence, Wilson College, PA 
Cool & Collected, Kenise Barnes, Larchmont, NY 
Power to the People, Feature Inc., New York 

2009

What’s Bin Did and What’s Bin Hid, 106 Green, Brooklyn 
Arte3, Palazzo Mazzancolli, Terni, Italy 
Artists Who Use Text to Say Nice Things, 206 Rivington via Aaron Krach, NYC
The Gaze, The Production, Amsterdam 

2008

Artist as Publisher, Center for Books Arts, New York 
The Other Side, 58 Gallery, Jersey City 
Everything Must Go, Flux Factory, Queens
Dream Therapy, Kathleen Cullen Fine Arts, New York 

2007

Aporia, LACE/Los Angeles Contemporary Exhibitions 
Intercourse, Platform Gallery, Seattle
Works On Paper, Kathleen Cullen Fine Arts 

2006

The Mind/Body Problem, Artists Space, New York 
Metaphysics of Youth, Artenova / FuoriUso, Pescara, Italy 
Aporia, Elizabeth Foundation for the Arts, New York 
American Seven, WORKS/San Jose, San Jose, CA 
Repeat After Me, Flux Factory, Queens 

 

BIBLIOGRAPHY

Simpson, Linda. REVIEWS, NEW YORK: Carl Ferrero. Artforum, September 2024

www.artforum.com/events/linda-simpson-carl-ferrero-daniel-cooney-fine-art-2024-557759

Come Frute, Come Yo. Philadelphia: Charlie Welch, 2022. https://charliewelch.com/Come-Fruta-Como-Yo

Exquisite Corpse. Philadelphia: Charlie Welch, 2020. 

Porter, Richard, editor. A Queer Anthology of Sickness. London: Pilot Press, 2019

Porter, Richard, editor. A Queer Anthology of Rage. London: Pilot Press, 2018

Wu, Danielle. “Blow by Blow: ‘Like Smoke’ At Equity Gallery,” review. Dec. 12, 2016. https://filthydreams.wordpress.com

Klam, Julie. “Finding Art That Speaks to You,” The New York Times, July 30, 2014

“Carl Ferrero: Words & Pictures.” Tarpaulin Sky Press Magazine. August 2015

Wolin, Joe. “Short List Curator,” review. BRIC Arts Blog, Friday, June 21, 2013. 

LIT Magazine, The New School, New York. Cover artwork, Spring 2012.

BOMBblog, reproduction. bombsite.com, February 2012.

"Bronx Calling", catalog. Bronx Museum of the Arts, 2011.

Stigle, Elinor. “Artist in Residence,” Claph Magazine, December 2010.

Williams, Sam. “Summer Camp,” review. Frieze, August 2010.

Fitzgerald, Ali. “Summer Camp,” review. Art 21 blog, September 2010.

Pernet, Diane. “Summer Camp,” review. Shaded View of Fashion, July 2010.

Heffernan, Virginia. The Medium, New York Times Magazine, May 30, 2010.

Albo, Mike. “Born Knowing,” reproduction. Spankzine Number 9, illustration 2010.

FFFFOUND! ffffound.com, reproduction. February 2010.

Proietti, Leonardo. Arte3, catalog essay. Terni, Italy: Cavourart. 2010

Byrum, Greta (ed). The Disarmory Newspaper. New York: The db Foundation, 2008.

Onnen, Serge (ed). Drawings On Writing. New York and Atlanta: J & L Books, 2008.

Miller, Billy (ed). No Milk Today, Number 1, 2008

Byrum, Greta and Daou, Annabel. Impossibility Made Easy, catalog essay. Los Angeles: Los Angeles Contemporary Editions, 2007.

Falkenstein, Michelle. Reproduction. ARTnews, September 2007.

Farr, Shelia. “The paintings are only part of the show,” review. The Seattle Times, February 2007.

Hackett, Regina. “‘Intercourse’ looks at the way we get in touch,” review. Seattle Post Intelligencer. March 15, 2007. 

The Stranger, “Recommended Art Events.” The Stranger (Seattle), February 15, 2007.

Hudson, editor. Untitled publication (Red Square). New York: Feature Inc., 2007.

Alessandrelli, Irina Zucca and Fassi, Luigi. Metaphysics of Youth, catalog essay. Pescara, Italy: Fuori Uso, 2006.

Bonzano, Paolo. “Metaphysics of Youth,” review. Exibart (exibart.it), May 15, 2006.

Buiso, Gary. “Too Hot to Handle.” Reproduction and interview. Brooklyn Courier-Life, May 11, 2006.

Byrum, Greta and Daou, Annabel. Aporia Heuristics, catalog. New York: Elizabeth Foundation for the Arts, 2006.

Colasante, Francesca. “Flash Art News,” Flash Art Italia, May 2006.

Duckworth, David. American Seven, catalog essay. San Jose: WORKS/San Jose.

Giacomelli, Marco Enrico. “Canons of Youth,” Framework, May 2006.

Gant, Michael S. “By the Numbers,” MetroActive, San Jose, California, Sept. 6, 2006.

Kennedy, Randy. “Brooklyn Art Exhibition Comes Down Amid Protest.” The New York Times, May 9, 2006.

Kley, Elisabeth. “Aporia,” Time Out New York, Issue 551: April 20–26, 2006.

Kunztman, Gersh. “You call this art,” The Brooklyn Papers, June 3, 2006.

Marcus, David. “Aporia,” The Brooklyn Rail, May 2006.

Matamas, Nick. “C is for Censored,” The Village Voice, May 17, 2006.

Rhodes, David. “Art, Censorship and Courage.” AIGA Journal of Design, May 23, 2006.

Robinson, Andrew Cornell. “Serial Misadventures,” Gay City News, July 13–19.

Rymar, Yukari. “Just a Thesis Show.” Reproduction, interview. Brooklyn Rail, June 2006.

Tema Celeste, “News.” Tema Celeste 115, May–June 2005.

Albo, Mike. The Underminer, illustrations. New York: Bloomsbury USA, 2005.

Zeidner, Lisa. “Have You Lost Weight?” The New York Times, February 27.

Duckworth, David. Queer Packaging/Body Commodities, catalog essay. San Jose: WORKS/San Jose.

AWARDS

2024 Finalist, Presidential Management Fellowship,
United States Office of Personnel Management
2022 Certificate of Appreciation, The United States Department of State
2017 Pollock-Krasner Foundation Grant 
2013 Workshop Grant, Millay Colony 
2012 Printmaking Residency, Gowanus Studio Space 
2011 Foundation for Contemporary Arts, Emergency Grant
Millay Colony Residency Fellowship
2010 Artist in the Marketplace, Bronx Museum of the Arts
Artist in Residence, Wilson College, PA

They're Winning, 2007
Watercolor, painted paper flags attached with string and pins;
4 parts, 40 x 50 1/2"